"The issues of Fukushima are very complicated and delicate, and there is no easy way to explain what the problem actually is. The mass media especially tends to create TV programs which are unnecessarily sensational, and they consciously edit those programs to make viewers emotional. So, now, I refuse the offer to do interviews for those programs. Also, Fukushima has changed much since the disastrous events occurred. Locals hesitate to speak about it. It's because of resignation to the unchanging conditions, or fear of exacerbating the situation within the community by speaking to outsiders. It seems better not to talk about anything.
In such conditions, I think 'Threshold: Whispers of Fukushima' became a very unique work. Toko omitted explanations, as much as possible, and connected people's calm honest talk (like they're speaking to themselves) and live music performances by the interviewees, to allow them to tell their life stories. Perhaps this is not even really a movie about "Fukushima". Even if she shot it in Fukushima, the theme of the film is not "the accident" nor "lost home", rather, it is a fundamental human theme: "what is 'living one's own life?'". Each individual has their own purpose in life, joy, and goal. Everyone is different from each other. Therefore, no one can truly say "my way of living is right or yours is wrong." After experiencing the confusion created by the accidents in Fukushima, I deeply feel this. How interesting that everyone in this movie, including me, said this same thing, although by coincidence.
And lastly, here is the message clip from the leader of the clip about the movie: https://www.facebook.